I read scripts for development teams. Coverage, notes and assessment on features, television and underlying IP — for production companies, competitions, funds and scouts who need another trusted pair of eyes. Ten years of reading in English and Spanish, to your template or mine. Here is what that looks like.
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Four extracts, with titles and identifying detail removed.
Existing templates, scorecards and internal development criteria can be followed.
Concept, execution, structure, character, market potential and overall viability.
Notes designed to move a project forward, not simply describe its problems.
Submission support when development teams have more material than capacity.
Novels, manuscripts and other IP evaluated for adaptation potential.
Reading and analysis across English- and Spanish-language material.
Structured scoring and written assessment against existing selection criteria.
Script, treatment, deck, novel or submission batch.
My framework or your own criteria and template.
Clear written analysis, delivered to deadline.
One project, ten submissions or recurring overflow.
Bilingual English–Spanish story analyst with 10+ years assessing film and television material.
Work has included screenplay competitions, development services and industry-facing projects across the UK, US and international markets — coverage and development analysis across features, pilots, shorts and other scripted material, to both independent frameworks and client-specific criteria.
Fully bilingual reading and analysis in English and Spanish, with an understanding of both European and international screen markets.
Need additional reading capacity?
abraham@abrahambarrie.comTitle, writer and identifying detail withheld.
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